Furniture Centre



Architects usually finish the building long before the furniture starts. The architecture is set in plan and elevation, and the furniture has to sort itself out around it: the opening widths, the ceiling heights, where the services are, the shadow gaps, the way a piece meets a wall or steps down onto a terrace. A manufacturer working from a catalogue will produce something that fits the photograph and not the room. A manufacturer working from your drawing package produces something that fits the building. Still comparing options? everything we make maps everything we make in one page, and How to Get a Custom Furniture Quotation picks up the thread from here.
We are a custom furniture manufacturer in Foshan, China, and we work from architectural drawings, cabinet schedules and developed layouts rather than from a fixed range. This page covers what your practice needs to give us, what we give you back, and where the responsibility sits at each step. Twenty years of project work has taught us that the expensive part is not the furniture - it is the decisions nobody made in writing. If you would rather start from a furniture schedule than a full drawing package, our custom furniture design and development service is the way in.
The useful input is not a mood board. It is a drawing package with the tolerances stated. Plans and elevations with dimensions, the critical sections, the interface details, and a note of where the building imposes a constraint - a dropped ceiling, a structural downstand, a fixed service position, a door swing a piece cannot obstruct - give us the geometry we need to work from.
Where a full package is not available, a furniture schedule with overall dimensions and a finish schedule is enough to start. What does not help is a photograph of a chair.
From your drawings and schedules we produce dimensioned shop drawings for every piece, a materials and finish schedule with the veneer cut and timber species named, hardware schedules, and a prototype where the piece is distinctive enough to warrant one. What comes back is a set of documents your team can build from and your client can approve against.
The deliverables are listed below. Every change after the first drawing set costs time. That is not a complaint, it is how the work goes - but it is why we would rather get the details right early than produce a beautiful drawing quickly.
| Deliverable | What it fixes | Why the practice needs it |
|---|---|---|
| Feasibility review | What can be built within the stated dimensions and constraints | Early warning on impossible details |
| Shop drawings with revision numbers | Construction, dimensions, hardware and assembly method | One version for design, production and site |
| Material and finish schedule | Species, veneer sequence, finish reference, hardware codes | Answers a specification question with a record |
| Sample and mock-up | Silhouette, detail and material transitions that drawings cannot settle | Prevents a rejection after production |
| Interface and fixing details | How the piece meets the wall, floor, services and threshold | Protects the buildable interface |
| Handover documentation | Assembly, care and maintenance, and item coding | Lets the practice hand the space over cleanly |
This is the part worth being blunt about, because it decides whether the project is smooth or expensive. The table sets out how we normally divide the work, and it is worth agreeing the division in writing at the start rather than arguing about it at handover.
We would always rather agree the split of responsibility in writing at the start than negotiate it at the end. That single piece of paperwork saves more time than any other step in the process.
A piece goes through seven steps between your drawing and the site, and the diagram below shows them. The approval stage is the one worth protecting: for a piece that is visible from a distance, made in an unusual material, or simply difficult to picture, a prototype is worth doing. For a run of identical guest-room pieces, a material sample and one approved unit is usually enough.
Whichever route you take, the approval should be written down and signed - material, colour, dimensions and finish - and the signed sheet travels with the production order. Twenty years in, our experience is that most site arguments are not about the furniture at all. They are about what was agreed, and nobody wrote it down.
And we build the supply sequence into the production schedule rather than treating it as something to sort out at the end. That means each item has a production slot, a packing slot and a delivery window, and you get a single sequence to plan the site around instead of a series of separate promises. A villa or a hotel has a programme: bedrooms are fitted before the public areas, the loose furniture goes last, and anything that depends on a finished floor waits for it. Our custom furniture specification service covers how the pieces themselves are specified.
faq
See the whole catalogue in Everything We Make.












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+8613433290964
Fanhu industrial zone,leping town,shanshui district,foshan city,china